{"id":6871,"date":"2024-01-03T16:29:24","date_gmt":"2024-01-03T16:29:24","guid":{"rendered":"https:\/\/revuepostures.uqam.ca\/2024\/07\/04\/litterature-et-musique-printemps-2000-numero-3\/"},"modified":"2024-09-11T04:32:46","modified_gmt":"2024-09-11T04:32:46","slug":"litterature-et-musique-printemps-2000-numero-3","status":"publish","type":"post","link":"https:\/\/revuepostures.uqam.ca\/?p=6871","title":{"rendered":"Litt\u00e9rature et musique"},"content":{"rendered":"\n
Printemps 2000, Num\u00e9ro 3<\/h5>\n\n\n\n

Ce num\u00e9ro porte sur le th\u00e8me de l’\u00e9criture et de l’imaginaire litt\u00e9raires dans leurs relations \u00e0 la musique, qu’elle soit saisie du point de vue de la sensibilit\u00e9 qu’elle \u00e9veille chez l’auditeur ou de fa\u00e7on plus rigoureuse, dans la perspective de la composition formelle qui en constitue, pour ainsi dire, l’autre origine.<\/p>\n\n\n\n

\n\n\n\n
Pr\u00e9face<\/h6>\n\n\n\n

Le risque de l’\u00e9motion<\/a><\/h4>\n\n\n\n

Fisette, Jean<\/p>\n\n\n\n

\n\n\n\n
Dossier – Litt\u00e9rature et musique<\/h6>\n\n\n\n

Le signe musical chez Rousseau et l’art de la pantomime chez Diderot<\/a><\/h4>\n\n\n\n

Doyon, Nova<\/p>\n\n\n\n

La double apparence de la musique dans La Sonate \u00e0 Kreutzer<\/em> de Tolsto\u00ef<\/a><\/h4>\n\n\n\n

Bellemare-Page, St\u00e9phanie<\/p>\n\n\n\n

L’Op\u00e9ra de Paris, la musique et son fant\u00f4me<\/a><\/h4>\n\n\n\n

Collin, Nancy<\/p>\n\n\n\n

L’\u00e9coute de la musique: le ton du Loup des steppes<\/em> d’Herman Hesse<\/a><\/h4>\n\n\n\n

Mongrain, Daniel<\/p>\n\n\n\n

Claude Gauvreau: musicien malgr\u00e9 lui<\/a><\/h4>\n\n\n\n

Bugeaud, V\u00e9ronique<\/p>\n\n\n\n

Interpr\u00e9tation du signe musical dans L’orange m\u00e9canique<\/em><\/a><\/h4>\n\n\n\n

Lachance, David<\/p>\n\n\n\n

Musique, \u00e9motion, merveille: L’\u00e9cole du virtuose<\/em> de Gert Jonke<\/a><\/h4>\n\n\n\n

Lafond, Patrick<\/p>\n\n\n\n

Ali\u00e9nation et lib\u00e9ration: la musique dans La jeune fille et la mort<\/em> d’Ariel Dorfman<\/a><\/h4>\n\n\n\n

Nareau, Michel<\/p>\n\n\n\n

\n\n\n\n
\u00c9tude<\/h6>\n\n\n\n

Les mouvements nationalitaire et contre-culturel \u00e0 travers la chanson qu\u00e9b\u00e9coise<\/a><\/h4>\n\n\n\n

Le Risb\u00e9, Mich\u00e8le<\/p>\n\n\n\n

\n\n\n\n
\u00c9quipe<\/h6>\n\n\n\n

Coordonatrice<\/strong> : Nancy Collin<\/p>\n\n\n\n

Responsables du dossier<\/strong> : Jean-Pascal Baillie, Daniel Mongrain<\/p>\n\n\n\n

Comit\u00e9 de r\u00e9daction<\/strong> : David Lachance, Mich\u00e8le Le Risb\u00e9, Julie Larose, Fr\u00e9d\u00e9ric Lepage<\/p>\n\n\n\n

Graphisme et mise en page du num\u00e9ro papier<\/strong> : Bernard Belzile<\/p>\n\n\n\n

Couverture<\/strong> : Mathieu Valade<\/p>\n\n\n\n

\n\n\n\n
Pour citer :<\/h6>\n\n\n\n

Baillie, Jean-Pascal et Daniel Mongrain\u00a0(dir.).\u00a02000.\u00a0Postures<\/em>, Dossier \u00abLitt\u00e9rature et musique\u00bb, n\u00b03. En ligne, https:\/\/revuepostures.uqam.ca\/?p=6871<\/a> (Consult\u00e9 le xx \/ xx \/ xxxx). D’abord paru dans:\u00a0Baillie, Jean-Pascal et Daniel Mongrain\u00a0(dir.).\u00a02000.\u00a0Postures<\/em>,\u00a0Dossier \u00abLitt\u00e9rature et musique\u00bb, n\u00b03, 121 p.<\/p>\n","protected":false},"excerpt":{"rendered":"

Printemps 2000, Num\u00e9ro 3<\/p>\n","protected":false},"author":4,"featured_media":992,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[14,273],"class_list":["post-6871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-baillie-jean-pascal","tag-mongrain-daniel"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6871"}],"version-history":[{"count":4,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6871\/revisions"}],"predecessor-version":[{"id":9296,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6871\/revisions\/9296"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/992"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}