{"id":6877,"date":"2024-01-09T16:29:24","date_gmt":"2024-01-09T16:29:24","guid":{"rendered":"https:\/\/revuepostures.uqam.ca\/2024\/07\/04\/linfect-et-lodieux-printemps-2007-numero-9\/"},"modified":"2024-09-11T04:34:50","modified_gmt":"2024-09-11T04:34:50","slug":"linfect-et-lodieux-printemps-2007-numero-9","status":"publish","type":"post","link":"https:\/\/revuepostures.uqam.ca\/?p=6877","title":{"rendered":"L\u2019infect et l\u2019odieux"},"content":{"rendered":"\n
Printemps 2007, Num\u00e9ro 9<\/h5>\n\n\n\n

Dans un entretien intitul\u00e9 \u00abLa Critique du ciel\u00bb, Philippe Muray, r\u00e9pondant \u00e0 une question sur l\u2019utilit\u00e9 de la litt\u00e9rature, \u00e9nonce qu\u2019elle ne sert qu\u2019\u00ab\u00e0 nous d\u00e9go\u00fbter d\u2019un monde que l\u2019on n\u2019arr\u00eate pas de nous pr\u00e9senter comme d\u00e9sirable\u00bb. Il y aurait ainsi une importance capitale, pour les \u00e9crivains, de s\u2019\u00e9lever constamment contre l\u2019oblit\u00e9ration g\u00e9n\u00e9ralis\u00e9e, dans la soci\u00e9t\u00e9 contemporaine, du Mal par le Bien. En reprenant ce constat, ce neuvi\u00e8me num\u00e9ro de Postures<\/em> explore deux versants du Mal: l\u2019infect et l\u2019odieux.<\/p>\n\n\n\n

\n\n\n\n
Pr\u00e9face<\/h6>\n\n\n\n

Le mat\u00e9riau<\/a><\/h4>\n\n\n\n

Cliche, Anne \u00c9laine<\/p>\n\n\n\n

\n\n\n\n
Avant-propos<\/h6>\n\n\n\n

Pr\u00e9sentation – L’infect et l’odieux<\/a><\/h2>\n\n\n\n

Langlois B\u00e9liveau, Am\u00e9lie<\/p>\n\n\n\n

\n\n\n\n
Au c\u0153ur de l\u2019abject contemporain<\/h6>\n\n\n\n

\u00ab Vous avez joui ! \u00bb Les d\u00e9flagrations de F\u00e9erie pour une autre fois<\/em><\/a><\/h4>\n\n\n\n

Boulanger, Julie<\/p>\n\n\n\n

La passion de dispara\u00eetre: \u00c0 propos de L\u2019Art, le suicide, la princesse et son agonie<\/em>, de Bernard Lamarche-Vadel<\/a><\/h4>\n\n\n\n

Duriez, Shawn<\/p>\n\n\n\n

Entre le p\u00e9ril et l\u2019affirmation de soi : un jeu dangereux. L\u2019abject dans Baise-moi<\/em> de Virginie Despentes<\/a><\/h4>\n\n\n\n

Baillargeon, Merc\u00e9d\u00e8s<\/p>\n\n\n\n

Sniper<\/em> ou l\u2019art de la guerre selon Pavel Hak<\/a><\/h4>\n\n\n\n

Langlois B\u00e9liveau, Am\u00e9lie<\/p>\n\n\n\n

La dramaturgie de l\u2019ignoble dans Le Destin glorieux du Mar\u00e9chal Nnikon Nniku Prince qu\u2019on sort<\/em> de Tchicaya U Tam\u2019si<\/a><\/h4>\n\n\n\n

Kamagat\u00e9, Bassidiki<\/p>\n\n\n\n

Sang d\u2019encre et rire dans La Vie et demie<\/em> de Sony Labou Tansi<\/a><\/h4>\n\n\n\n

Th\u00e9or\u00eat, \u00c9milie<\/p>\n\n\n\n

Blue Velvet<\/em> de David Lynch. Sc\u00e8nes odieuses, genres infect\u00e9s<\/a><\/h4>\n\n\n\n

Weber-Houde, Aude<\/p>\n\n\n\n

De l\u2019imb\u00e9cile cong\u00e9nital grand format: Le D\u00e9go\u00fbt<\/em> de Horacio Castellanos Moya<\/a><\/h4>\n\n\n\n

Paquet, Am\u00e9lie<\/p>\n\n\n\n

\n\n\n\n
Utopies odieuses<\/h6>\n\n\n\n

La mis\u00e8re de Job sous l\u2019\u00e9clat de la plume de Sylvie Germain<\/a><\/h4>\n\n\n\n

Huyghebaert, C\u00e9line<\/p>\n\n\n\n

Palais d\u00e9senchant\u00e9, odieuse litt\u00e9rature. Nelly Arcan et son palais des miroirs<\/a><\/h4>\n\n\n\n

Demers, Gabrielle<\/p>\n\n\n\n

L\u2019utopie moderne ou le r\u00eave devenu cauchemar. Portrait de la transformation d\u2019un genre<\/a><\/h4>\n\n\n\n

Taillefer, H\u00e9l\u00e8ne<\/p>\n\n\n\n

Seuls les coeurs purs et les f\u00e9es vont au paradis. L\u2019humanit\u00e9 odieuse dans deux nouvelles de Ren\u00e9 Barjavel<\/a><\/h4>\n\n\n\n

Fournier-Goulet, Genevi\u00e8ve<\/p>\n\n\n\n

\n\n\n\n
Retour dans l\u2019histoire de l\u2019infect<\/h6>\n\n\n\n

La figure du vampire f\u00e9minis\u00e9e. Enjeux<\/a><\/h4>\n\n\n\n

Roldan, S\u00e9bastien<\/p>\n\n\n\n

Le double : de l\u2019inqui\u00e9tante \u00e9tranget\u00e9 \u00e0 l\u2019abjection. L\u2019\u00c9trange Cas du docteur Jekyll et de M. Hyde<\/em> de Robert Louis Stevenson<\/a><\/h4>\n\n\n\n

Charette, Caroline<\/p>\n\n\n\n

\n\n\n\n
\u00c9quipe<\/h6>\n\n\n\n

Directrice<\/strong> : Am\u00e9lie Paquet<\/p>\n\n\n\n

R\u00e9dactrice en chef<\/strong> : Am\u00e9lie Langlois B\u00e9liveau<\/p>\n\n\n\n

Comit\u00e9 de r\u00e9daction<\/strong> : Shawn Duriez, Virginie Harvey, Joz\u00e9ane Malette, Simon St-Onge, \u00c9milie Th\u00e9or\u00eat<\/p>\n\n\n\n

Correctrices en chef<\/strong> : Alexandra Soyeux, H\u00e9l\u00e8ne Taillefer<\/p>\n\n\n\n

Comit\u00e9 de correction<\/strong> : C\u00e9cile Amalvi, Jacinthe Boivin-Moffet, Jo\u00eblle Bouchard, Julie Boulanger, Dominique Lemay, Marie-Eve St-Onge, Sophie St-Pierre, Martin Tailly, Aude Weber-Houde<\/p>\n\n\n\n

Responsable \u00e0 la logistique<\/strong> : Gabrielle Demers<\/p>\n\n\n\n

Infographe<\/strong> : Mireille Laurin-Burgess<\/p>\n\n\n\n

Photographe<\/strong> : Meryem Yildiz<\/p>\n\n\n\n

Illustrateur<\/strong> : Dominique Ferland<\/p>\n\n\n\n

\n\n\n\n
Pour citer :<\/h6>\n\n\n\n

Paquet, Am\u00e9lie (dir.). 2007.\u00a0Postures<\/em>, Dossier \u00abL\u2019infect et l\u2019odieux\u00bb, n\u00b09, En ligne, https:\/\/revuepostures.uqam.ca\/?p=6877<\/a> (Consult\u00e9 le xx \/ xx \/ xxxx). D\u2019abord paru dans :\u00a0Paquet, Am\u00e9lie\u00a0(dir.). 2007.\u00a0Postures<\/em>, Dossier \u00abL\u2019infect et l\u2019odieux\u00bb, n\u00b09, 175 p.<\/p>\n","protected":false},"excerpt":{"rendered":"

Printemps 2007, Num\u00e9ro 9<\/p>\n","protected":false},"author":4,"featured_media":1002,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[291],"class_list":["post-6877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-paquet-amelie"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6877"}],"version-history":[{"count":4,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6877\/revisions"}],"predecessor-version":[{"id":9302,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6877\/revisions\/9302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/1002"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}