{"id":6887,"date":"2024-01-20T16:29:24","date_gmt":"2024-01-20T16:29:24","guid":{"rendered":"https:\/\/revuepostures.uqam.ca\/2024\/07\/04\/deviances-automne-2013-numero-18\/"},"modified":"2024-07-24T19:06:38","modified_gmt":"2024-07-24T19:06:38","slug":"deviances-automne-2013-numero-18","status":"publish","type":"post","link":"https:\/\/revuepostures.uqam.ca\/?p=6887","title":{"rendered":"D\u00e9viances"},"content":{"rendered":"\n
Automne 2013, Num\u00e9ro 18<\/h5>\n\n\n\n

Pour son colloque \u00e9tudiant annuel de 2013, les membres du comit\u00e9 de l’association \u00e9tudiante en cycles sup\u00e9rieurs de l’Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (AECSEL-UQAM) ont invit\u00e9 de jeunes chercheuses et chercheurs \u00e0 penser la critique litt\u00e9raire de mani\u00e8re non-conventionnelle, \u00e0 y r\u00e9fl\u00e9chir hors cadre, ou, plus simplement, ont propos\u00e9 aux \u00e9tudiant.es de partager avec eux leurs recherches \u00e9mergentes sur le sujet des d\u00e9viances. Le 28 mars 2013, jour de l’\u00e9v\u00e9nement, a \u00e9t\u00e9 couronn\u00e9 de succ\u00e8s. <\/p>\n\n\n\n

\n\n\n\n
Pr\u00e9face<\/h6>\n\n\n\n

Pr\u00e9face<\/a><\/h4>\n\n\n\n

Lussier, Alexis<\/p>\n\n\n\n

\n\n\n\n
Avant-propos<\/h6>\n\n\n\n

Pr\u00e9sentation: D\u00e9viances<\/a><\/h4>\n\n\n\n

Caute, Adeline, Hamel-Akr\u00e9, Jessica<\/p>\n\n\n\n

\n\n\n\n
D\u00e9viances du corps<\/h6>\n\n\n\n

Le corps \u00e0 distance : D\u00e9viance du corps f\u00e9minin dans Dans Ma Peau<\/em> de Marina De Van<\/a><\/h4>\n\n\n\n

Pelletier, Laurence<\/p>\n\n\n\n

La trajectoire d’un d\u00e9sir \u00ab d\u00e9viant \u00bb dans l’\u0153uvre d’Herv\u00e9 Guibert. Analyse du journal d’un amoureux des enfants<\/a><\/h4>\n\n\n\n

Godin, Louis-Daniel<\/p>\n\n\n\n

La mauvaise fille des \u00ab white trash<\/em> \u00bb : r\u00e9sistances sexuelles et crimes d’enfants dans Bastard out of Carolina<\/em> de Dorothy Allison<\/a><\/h4>\n\n\n\n

Hamel-Akr\u00e9, Jessica<\/p>\n\n\n\n

\n\n\n\n
L’individu et la soci\u00e9t\u00e9<\/h6>\n\n\n\n

La dialectique de la d\u00e9viance dans Les carnets du sous-sol<\/em> de Dosto\u00efevski<\/a><\/h4>\n\n\n\n

Leguerrier, Louis-Thomas<\/p>\n\n\n\n

Ces vices hypnotiques : d\u00e9viances proustiennes<\/a><\/h4>\n\n\n\n

Dumas, Isabelle<\/p>\n\n\n\n

\u00c9chapper \u00e0 la \u00ab machine sociale \u00bb. Le vagabondage chez Isabelle Eberhardt<\/a><\/h4>\n\n\n\n

Marcil-Bergeron, Myriam<\/p>\n\n\n\n

\n\n\n\n
Hors-Dossier<\/h6>\n\n\n\n

Le corps colonis\u00e9 : les effets de l\u2019excision dans Possesing the Secret of Joy<\/em> d\u2019Alice Walker<\/a><\/h4>\n\n\n\n

Lafleur, Maude<\/p>\n\n\n\n

La disparition, sympt\u00f4me de rupture nostalgique dans les livres d\u2019Arnaldur Indridason<\/a><\/h4>\n\n\n\n

Simon-Chaix, Piera<\/p>\n\n\n\n

\n\n\n\n
\u00c9quipe<\/h6>\n\n\n\n

Directrice<\/strong> : Jessica Hamel-Akr\u00e9<\/p>\n\n\n\n

R\u00e9dactrice en chef<\/strong> : Adeline Caute<\/p>\n\n\n\n

\u00c9quipe de r\u00e9daction<\/strong> : Christina Brassard, Adeline Caute, Jessica Hamel-Akr\u00e9, Roxane Maiorana, Nathana\u00ebl Pono, Laurence Pelletier, Marie-Eve Tremblay-Cl\u00e9roux<\/p>\n\n\n\n

\u00c9quipe de correction<\/strong> : Emmanuelle Caccamo, Gabrielle Laroche, Genevi\u00e8ve LaRoche, Rachel Nadon, Sabrina Raymond<\/p>\n\n\n\n

Responsable des finances<\/strong> : Marie-Eve Tremblay-Cl\u00e9roux<\/p>\n\n\n\n

Responsables de la diffusion<\/strong> : Roxane Mariorana, Laurence Pelletier<\/p>\n\n\n\n

Illustration<\/strong> : Mireille Laurin-Burgess<\/p>\n\n\n\n

\n\n\n\n
Pour citer :<\/h6>\n\n\n\n

Hamel-Hakr\u00e9, Jessica (dir.). 2013. Postures<\/em>, Dossier \u00ab D\u00e9viances \u00bb, n\u00b018. En ligne <https:\/\/revuepostures.uqam.ca\/?p=6887> (Consult\u00e9 le xx \/ xx \/ xxxx). D’abord paru dans: Hamel-Hakr\u00e9, Jessica (dir.). 2013. Postures<\/em>. Dossier \u00ab D\u00e9viances \u00bb, n\u00b018, 132 p.<\/p>\n","protected":false},"excerpt":{"rendered":"

Automne 2013, Num\u00e9ro 18<\/p>\n","protected":false},"author":4,"featured_media":1011,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[68,173],"class_list":["post-6887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-caute-adeline","tag-hamel-akre-jessica"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6887"}],"version-history":[{"count":5,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6887\/revisions"}],"predecessor-version":[{"id":7978,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6887\/revisions\/7978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/1011"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}