{"id":6895,"date":"2024-01-28T16:29:25","date_gmt":"2024-01-28T16:29:25","guid":{"rendered":"https:\/\/revuepostures.uqam.ca\/2024\/07\/04\/la-disparition-de-soi-corps-individu-et-societe-automne-2017-numero-26\/"},"modified":"2024-09-04T15:01:42","modified_gmt":"2024-09-04T15:01:42","slug":"la-disparition-de-soi-corps-individu-et-societe-automne-2017-numero-26","status":"publish","type":"post","link":"https:\/\/revuepostures.uqam.ca\/?p=6895","title":{"rendered":"La disparition de soi : corps, individu et soci\u00e9t\u00e9"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Automne 2017, Num\u00e9ro 26<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\">Les chercheuses et chercheurs \u00e9tudiant.e.s en litt\u00e9rature \u00e9taient invit\u00e9.e.s ici \u00e0 r\u00e9fl\u00e9chir \u00e0 l\u2019id\u00e9e de la disparition du corps dans les discours artistiques et litt\u00e9raires. Comment le social s\u2019inscrit-il dans\/sur le \u00abcorps de papier\u00bb? Comment le corps s\u2019inscrit-il dans le social? Quel est l\u2019impact des nouvelles technologies sur la mat\u00e9rialit\u00e9 du corps? sur le rapport entre le sujet et son environnement social, que les textes litt\u00e9raires permettent de cerner? Est-ce que le sujet social peut y exister sans son interface corporelle? Que signifie l\u2019imaginaire corporel de la disparition au sein de la litt\u00e9rature contemporaine? Peut-on l\u2019envisager comme une nouvelle mani\u00e8re pour le sujet de s\u2019inscrire dans le monde?<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Pr\u00e9face<\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5619\" data-type=\"post\" data-id=\"5619\">Blancheur : p\u00e9riph\u00e9ries<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Cyr, Catherine<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Avant-propos<\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5607\" data-type=\"post\" data-id=\"5607\">La disparition de soi : corps, individu et soci\u00e9t\u00e9<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Bergeron, \u00c9tienne, Bordeleau-Pitre, \u00c9mile, Lafleur, Maude, Lebel, Jean-Fran\u00e7ois, Savard, Val\u00e9rie<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Absence \u00e0 soi<\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5620\" data-type=\"post\" data-id=\"5620\">La subjectivit\u00e9 obsessionnelle chez Maurice Blanchot&nbsp;: \u00e9nonciation et narrativit\u00e9 de la d\u00e9personnalisation dans&nbsp;<em>Thomas l\u2019obscur<\/em><\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Azoulay, David<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5612\" data-type=\"post\" data-id=\"5612\">Perdre des th\u00e9ories, ou le r\u00e9cit de soi comme disparition<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Turcotte, Jo\u00eblle<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5608\" data-type=\"post\" data-id=\"5608\">Fernando Pessoa : les h\u00e9t\u00e9ronymes comme traitement du corps<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">R\u00e9guer, Fanny<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Dissolutions conjointes<\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5615\" data-type=\"post\" data-id=\"5615\">La disparition pour contrer l\u2019\u00e9puisement : \u00e9tude de&nbsp;<em>L\u2019usage de la photo<\/em>&nbsp;d\u2019Annie Ernaux et de Marc Marie<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Lessard-Bri\u00e8re, Virginie<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5611\" data-type=\"post\" data-id=\"5611\">Corps et parole : les modalit\u00e9s du sens dans&nbsp;<em>Body Art<\/em>&nbsp;et&nbsp;<em>C\u0153ur-saignant-d\u2019amour<\/em>&nbsp;de Don DeLillo<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Perron, Laurence<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5609\" data-type=\"post\" data-id=\"5609\">Entre corps animal et corps m\u00e9dial&nbsp;: La communaut\u00e9 \u00e9coum\u00e9nale dans l\u2019\u0153uvre romanesque de David Mitchell<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Duret, Christophe<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Contrer l&rsquo;effacement<\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5617\" data-type=\"post\" data-id=\"5617\">Quand le biographique spectralise. Les \u00ab expos\u00e9es \u00bb de Nathalie L\u00e9ger<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Turner, Sarah<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5616\" data-type=\"post\" data-id=\"5616\">Violette Leduc : \u00e9cri<\/a><a href=\"https:\/\/revuepostures.uqam.ca\/2024\/06\/13\/violette-leduc-ecrire-le-corps-ecrire-la-honte\/\" data-type=\"post\" data-id=\"5616\">re le corps, \u00e9crire la honte<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Collette, Fr\u00e9d\u00e9rique<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5614\" data-type=\"post\" data-id=\"5614\">L\u2019intertextualit\u00e9 comme tentative d\u2019archivage d\u2019une filiation politique f\u00e9minine dans&nbsp;<em>Manuel de po\u00e9tique \u00e0 l\u2019intention des jeunes filles<\/em>&nbsp;et&nbsp;<em>L\u2019ann\u00e9e de ma disparition<\/em>&nbsp;de Carole David&nbsp;<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Dupuis, Catherine<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5610\" data-type=\"post\" data-id=\"5610\">Corps f\u00e9minin, corps th\u00e9\u00e2tral : le travail du trauma chez Sarah Kane<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Lafontaine, Marie-Pier<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Hors-dossier<\/h6>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5618\" data-type=\"post\" data-id=\"5618\">Venise, ville morte ou \u00ab&nbsp;capitale du XIXe&nbsp;si\u00e8cle&nbsp;\u00bb? Regards v\u00e9nitiens sur la disparition de la culture v\u00e9nitienne<\/a><\/h2>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Bordry, Marguerite<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5613\" data-type=\"post\" data-id=\"5613\">De fille \u00e0 jeune femme. \u00c9tude ethnocritique du mariage comme rite de passage dans le conte&nbsp;<em>Cendrillon<\/em>&nbsp;de Perrault et des Grimm<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Gingras-Gagn\u00e9, Marion<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">\u00c9quipe<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Directeur&nbsp;<\/strong>: \u00c9mile Bordeleau-Pitre<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>R\u00e9dacteurs en chef\u202f<\/strong> : \u00c9tienne Bergeron, Val\u00e9rie Savard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Comit\u00e9 de r\u00e9daction <\/strong>: Soline Asselin, \u00c9tienne Bergeron, \u00c9mile Bordeleau-Pitre, Marilyn Ferland, Yasmine Kaddouri, Maude Lafleur, Jean-Fran\u00e7ois Lebel, Simon Lemieux-Huard, Laurence Perron, Alexis Ross, Val\u00e9rie Savard, Aramesh Yaghoubi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Comit\u00e9 de r\u00e9vision <\/strong>: Soline Asselin, \u00c9tienne Bergeron, \u00c9mile Bordeleau-Pitre, Marion Gingras-Gagn\u00e9, Yasmine Kaddouri, Maude Lafleur, Jean-Fran\u00e7ois Lebel, Simon Lemieux-Huard, Laurence Perron, Alexis Ross, Val\u00e9rie Savard, Val\u00e9rie Synotte<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Responsable des finances<\/strong> : Maude Lafleur<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Responsables des communications<\/strong> : Laurence Perron, Jean-Fran\u00e7ois Lebel<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Pour citer :<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Bergeron, \u00c9tienne, Bordeleau-Pitre, \u00c9mile et Savard, Val\u00e9rie (dir.). 2017.&nbsp;<em>Postures<\/em>, Dossier \u00ab&nbsp;La disparition de soi : corps, individu et soci\u00e9t\u00e9\u00bb, n\u00b026, En ligne &lt;https:\/\/revuepostures.uqam.ca\/?p=6895&gt; (Consult\u00e9 le xx \/ xx \/ xxxx).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Automne 2017, Num\u00e9ro 26<\/p>\n","protected":false},"author":4,"featured_media":965,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[32,45,333],"class_list":["post-6895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-bergeron-etienne","tag-bordeleau-pitre-emile","tag-savard-valerie"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6895"}],"version-history":[{"count":5,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6895\/revisions"}],"predecessor-version":[{"id":8802,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6895\/revisions\/8802"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/965"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}