{"id":6897,"date":"2024-01-30T16:29:25","date_gmt":"2024-01-30T16:29:25","guid":{"rendered":"https:\/\/revuepostures.uqam.ca\/2024\/07\/04\/paroles-et-silences-reflexions-sur-le-pouvoir-de-dire-automne-2018-numero-28\/"},"modified":"2024-07-23T22:58:58","modified_gmt":"2024-07-23T22:58:58","slug":"paroles-et-silences-reflexions-sur-le-pouvoir-de-dire-automne-2018-numero-28","status":"publish","type":"post","link":"https:\/\/revuepostures.uqam.ca\/?p=6897","title":{"rendered":"Paroles et silences : r\u00e9flexions sur le pouvoir de dire"},"content":{"rendered":"\n
Automne 2018, Num\u00e9ro 28<\/h5>\n\n\n\n

Dans ce num\u00e9ro, nous avons propos\u00e9 aux chercheuses et chercheurs \u00e9tudiant.e.s en litt\u00e9rature de r\u00e9fl\u00e9chir tr\u00e8s largement \u00e0 la parole, au silence et \u00e0 la voix : Comment la fiction peut-elle combler les vides, voire rendre audible une parole tue? Comment les th\u00e9ories sur l’\u00e9nonciation permettent-elles d’envisager des textes litt\u00e9raires? Comment une voix se manifeste-t-elle \u00e0 travers l’\u00e9criture? Peut-on, doit-on, \u00e9crire sur tout? Comment transformer le silence en paroles et en actes (Lorde 1997)? Qui parle quand une femme parle (Delvaux et Lebrun 2014)?<\/p>\n\n\n\n

\n\n\n\n
Pr\u00e9face<\/h6>\n\n\n\n

S’autoriser le pouvoir d’\u00e9crire<\/a><\/h4>\n\n\n\n

van der Klei, Alice<\/p>\n\n\n\n

\n\n\n\n
Avant-propos<\/h6>\n\n\n\n

Paroles et silences : r\u00e9flexions sur le pouvoir de dire<\/a><\/h4>\n\n\n\n

Lafleur, Maude, Lebel, Jean-Fran\u00e7ois<\/p>\n\n\n\n

\n\n\n\n
\u00c9couter l’exclusion<\/h6>\n\n\n\n

Nelly Arcan : une autre histoire de robe<\/a><\/h4>\n\n\n\n

B\u00e9langer, Jennifer<\/p>\n\n\n\n

Il \u00e9tait une femme. Une relecture des contes de f\u00e9es dans Sula<\/em> de Toni Morrison<\/a><\/h4>\n\n\n\n

Chevalier, Karolyne<\/p>\n\n\n\n

La collecte de parole : vers une approche inclusive<\/a><\/h4>\n\n\n\n

Langlais-Oligny, P\u00e9n\u00e9lope<\/p>\n\n\n\n

\n\n\n\n
Se faire entendre<\/h6>\n\n\n\n

Laisse-moi parler! Homosexualit\u00e9s en litt\u00e9rature destin\u00e9e aux adolescents<\/a><\/h4>\n\n\n\n

Champagne, Samuel<\/p>\n\n\n\n

Personnage sacr\u00e9 et parole \u00e9mancipatrice dans Sainte Carmen de la Main<\/em><\/a><\/h4>\n\n\n\n

Dub\u00e9, No\u00e9mie<\/p>\n\n\n\n

L’agentivit\u00e9 f\u00e9minine noire dans Beloved<\/em> de Toni Morrison : une r\u00e9plique au discours h\u00e9g\u00e9monique<\/a><\/h4>\n\n\n\n

Levasseur, Julie<\/p>\n\n\n\n

\n\n\n\n
Faire face au silence<\/h6>\n\n\n\n

L\u2019\u00e9coute des silences dans Incendies<\/em> de Wajdi Mouawad<\/a><\/h4>\n\n\n\n

Dupois, Ga\u00ebtan<\/p>\n\n\n\n

Silence absolu. Du Ravissement de Lol V. Stein<\/em> de Marguerite Duras<\/a><\/h4>\n\n\n\n

Lahouste, Corentin<\/p>\n\n\n\n

Se raconter et apr\u00e8s? La qu\u00eate m\u00e9morielle dans Otro Mundo<\/em> d\u2019Alfons Cervera<\/a><\/h4>\n\n\n\n

Lesouef, Marina<\/p>\n\n\n\n

\n\n\n\n
\u00c9quipe<\/h6>\n\n\n\n

Directeur<\/strong> : \u00c9tienne Bergeron<\/p>\n\n\n\n

R\u00e9dactrices en chef\u202f<\/strong> : Maude Lafleur, Laurence Perron<\/p>\n\n\n\n

Comit\u00e9 de r\u00e9daction :<\/strong> Jennifer B\u00e9langer, \u00c9tienne Bergeron, Roxanne Danis, Nelly Desmarais, Marilyn Ferland, Maude Lafleur, Marie-Pier Lafontaine, Jean-Fran\u00e7ois Lebel, Paola Ouedraogo, Laurence Perron<\/p>\n\n\n\n

Comit\u00e9 de r\u00e9vision :<\/strong> Jennifer B\u00e9langer, Guillaume Bellehumeur, \u00c9tienne Bergeron, Roxanne Danis, Gabrielle Dor\u00e9, Maude Lafleur, Marie-Pier Lafontaine, Jean-Fran\u00e7ois Lebel, Paola Ouedraogo, Laurence Perron<\/p>\n\n\n\n

Responsable des finances et des communications : <\/strong>Jean-Fran\u00e7ois Lebel<\/p>\n\n\n\n

\n\n\n\n
Pour citer :<\/h6>\n\n\n\n

Bergeron, \u00c9tienne, Lafleur, Maude et Laurence Perron (dir.). 2018. Postures<\/em>, no. 28 (Automne) : Dossier \u00ab Paroles et silences : r\u00e9flexions sur le pouvoir de dire \u00bb. https:\/\/revuepostures.uqam.ca\/?p=6897<\/a> (Consult\u00e9 le xx \/ xx \/ xxx).<\/p>\n","protected":false},"excerpt":{"rendered":"

Automne 2018, Num\u00e9ro 28<\/p>\n","protected":false},"author":4,"featured_media":968,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[32,203,306],"class_list":["post-6897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-bergeron-etienne","tag-lafleur-maude","tag-perron-laurence"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6897"}],"version-history":[{"count":4,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6897\/revisions"}],"predecessor-version":[{"id":7581,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6897\/revisions\/7581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/968"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}