{"id":6900,"date":"2024-01-31T16:29:25","date_gmt":"2024-01-31T16:29:25","guid":{"rendered":"https:\/\/revuepostures.uqam.ca\/2024\/07\/04\/formes-de-lenquete-construction-du-savoir-elucidations-opacites-et-angles-morts-hiver-2019-numero-29\/"},"modified":"2024-08-21T16:29:38","modified_gmt":"2024-08-21T16:29:38","slug":"formes-de-lenquete-construction-du-savoir-elucidations-opacites-et-angles-morts-hiver-2019-numero-29","status":"publish","type":"post","link":"https:\/\/revuepostures.uqam.ca\/?p=6900","title":{"rendered":"Formes de l’enqu\u00eate, construction du savoir : \u00e9lucidations, opacit\u00e9s et angles morts"},"content":{"rendered":"\n

Hiver 2019, Num\u00e9ro 29<\/h5>\n\n\n\n

Dans ce num\u00e9ro, il s\u2019est agit de s\u2019interroger sur les r\u00e9cits qui mettent en repr\u00e9sentation l\u2019enqu\u00eate mais aussi de r\u00e9fl\u00e9chir sur les r\u00e9cup\u00e9rations et d\u00e9tournements des modes de s\u00e9miotisation, des modalit\u00e9s d\u2019\u00e9nonciation et des postures id\u00e9ologiques propres \u00e0 ce mode de cognition. Nous avons invit\u00e9 les auteur.e.s \u00e0 penser le d\u00e9ploiement du motif de l\u2019enqu\u00eate autant par les voies plus traditionnelles de la fiction polici\u00e8re que sous les alibis qu\u2019elle se donne.<\/p>\n\n\n\n

\n\n\n\n
Pr\u00e9face<\/h6>\n\n\n\n

Mes petites enqu\u00eates<\/a><\/h4>\n\n\n\n

Delvaux, Martine<\/p>\n\n\n\n

\n\n\n\n
Avant-propos<\/h6>\n\n\n\n

Formes de l’enqu\u00eate, construction du savoir : \u00e9lucidations, opacit\u00e9s et angles morts<\/a><\/h4>\n\n\n\n

B\u00e9langer, Jennifer, Bergeron, \u00c9tienne, Lebel, Jean-Fran\u00e7ois, Perron, Laurence<\/p>\n\n\n\n

\n\n\n\n
Distinguer le vrai du faux<\/h6>\n\n\n\n

Disparition et suicide : enqu\u00eates autour de la figure du savant dans En cherchant Majorana<\/em> et Le silence<\/em><\/a><\/h4>\n\n\n\n

Maiorana, Roxane<\/p>\n\n\n\n

HHhH<\/em> et les \u00e9chafaudages de l’\u00e9criture romanesque<\/a><\/h4>\n\n\n\n

Paquette, Cam\u00e9lia<\/p>\n\n\n\n

\n\n\n\n
Enqu\u00eater autrement<\/h6>\n\n\n\n

Le r\u00f4le du personnage f\u00e9minin dans\u00a0La chambre d\u00e9rob\u00e9e<\/em>\u00a0de Paul Auster : sous les yeux d’un narrateur qui ne suspecte rien<\/a><\/h4>\n\n\n\n

Lavoie, Jade<\/p>\n\n\n\n

L’enqu\u00eate comme source d’oppression coloniale et comme r\u00e9investissement de la culture cr\u00e9ole dans Solibo Magnifique<\/em> de Patrick Chamoiseau<\/a><\/h4>\n\n\n\n

Giroux, Alexia<\/p>\n\n\n\n

\n\n\n\n
Une m\u00e9moire en faillite<\/h6>\n\n\n\n

Une autre femme dispara\u00eet dans Rachel, Monique<\/em> de Sophie Calle<\/a><\/h4>\n\n\n\n

Huyghebaert, C\u00e9line<\/p>\n\n\n\n

Pour une litt\u00e9rature des ruines : extraits d’une enqu\u00eate<\/a><\/h4>\n\n\n\n

Boilard-Lefebvre, Alexandra<\/p>\n\n\n\n

\n\n\n\n
\u00c9quipe<\/h6>\n\n\n\n

Directeur<\/strong> : \u00c9tienne Bergeron<\/p>\n\n\n\n

R\u00e9dactrices en chef\u202f<\/strong> : Maude Lafleur, Laurence Perron<\/p>\n\n\n\n

Comit\u00e9 de r\u00e9daction :<\/strong> Jennifer B\u00e9langer, \u00c9tienne Bergeron, Marilyn Ferland, Maude Lafleur, Jean-Fran\u00e7ois Lebel, Maxime Leblond, Julie Levasseur, Paola Ouedraogo, Laurence Perron, Gabriel Proulx<\/p>\n\n\n\n

Comit\u00e9 de r\u00e9vision :<\/strong> Jennifer B\u00e9langer, \u00c9tienne Bergeron, Marilyn Ferland, Marion Gingras-Gagn\u00e9, Maude Lafleur, Maxime Leblond, Julie Levasseur, Laurence Perron, Gabriel Proulx<\/p>\n\n\n\n

Responsable des finances<\/strong> et des communications :<\/strong> Jean-Fran\u00e7ois Lebel<\/p>\n\n\n\n

\n\n\n\n
Pour citer :<\/h6>\n\n\n\n

Bergeron, \u00c9tienne, Lafleur, Maude et Laurence Perron (dir.). 2019. Postures<\/em>, no. 29 (Hiver) : Dossier \u00ab Formes de l’enqu\u00eate, construction du savoir : \u00e9lucidations, opacit\u00e9s et angles morts \u00bb. https:\/\/revuepostures.uqam.ca\/?p=6900<\/a> (Consult\u00e9 le xx \/ xx \/ xxx).<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Hiver 2019, Num\u00e9ro 29<\/p>\n","protected":false},"author":4,"featured_media":969,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[32,203,306],"class_list":["post-6900","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-bergeron-etienne","tag-lafleur-maude","tag-perron-laurence"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6900"}],"version-history":[{"count":7,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6900\/revisions"}],"predecessor-version":[{"id":8497,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6900\/revisions\/8497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/969"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}