{"id":6903,"date":"2024-02-07T16:29:00","date_gmt":"2024-02-07T16:29:00","guid":{"rendered":"https:\/\/revuepostures.uqam.ca\/2024\/07\/04\/depuis-que-le-monde-est-monde-stereotypie-et-cliches-litteraires-automne-2021-numero-34\/"},"modified":"2024-08-19T19:53:59","modified_gmt":"2024-08-19T19:53:59","slug":"depuis-que-le-monde-est-monde-stereotypie-et-cliches-litteraires-automne-2021-numero-34","status":"publish","type":"post","link":"https:\/\/revuepostures.uqam.ca\/?p=6903","title":{"rendered":"Depuis que le monde est monde : st\u00e9r\u00e9otypie et clich\u00e9s litt\u00e9raires"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Automne 2021, Num\u00e9ro 34<\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><span id=\"docs-internal-guid-7f373763-7fff-6a7b-4992-4244ff717ded\">Ce trente-quatri\u00e8me num\u00e9ro invitait&nbsp;<\/span>les auteur\u00b7rice\u00b7s \u00e0 r\u00e9fl\u00e9chir aux rapports divers qu\u2019entretient la litt\u00e9rature avec les lieux communs, les poncifs et les id\u00e9es re\u00e7ues. Comment le texte litt\u00e9raire met-il \u00e0 profit les topo\u00ef, et comment participe-t-il \u00e0 la reconduction de st\u00e9r\u00e9otypes? Peut-il interpeller les clich\u00e9s, les probl\u00e9matiser et, le cas \u00e9ch\u00e9ant, s\u2019en distancier?&nbsp;Qu\u2019est-ce qu\u2019une \u0153uvre originale, neuve ou inspir\u00e9e? Quelles sont les implications politiques de la st\u00e9r\u00e9otypie?<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Pr\u00e9face<\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5692\" data-type=\"post\" data-id=\"5692\">Les clich\u00e9s litt\u00e9raires : les n\u00e9gatifs d\u2019une photo enfin r\u00e9v\u00e9l\u00e9s?<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Rosso, Karine<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Avant-propos<\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5693\" data-type=\"post\" data-id=\"5693\">Depuis que le monde est monde : st\u00e9r\u00e9otypie et clich\u00e9s litt\u00e9raires<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Bauduin, \u00c9milie, Berger Soucie, Kevin, Blais, Marc-Antoine, Brassard, Florence, Gingras-Gagn\u00e9, Marion, Giroux, Alexia, Roy-Binette, Andr\u00e9a, Savignac, Rosemarie<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.com\/fr\/section\/personnages-et-genres\">Les id\u00e9es re\u00e7ues mises \u00e0 mal<\/a><\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5697\" data-type=\"link\" data-id=\"https:\/\/revuepostures.uqam.ca\/?p=5697\">Ce que les \u00e9cofictions animali\u00e8res font aux st\u00e9r\u00e9otypes sp\u00e9cistes<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Beltran, Perrine<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5695\" data-type=\"post\" data-id=\"5695\">Le st\u00e9r\u00e9otype comme labrys. \u00c9tude d\u2019un&nbsp;<em>campus novel<\/em>&nbsp;\u00e0 l\u2019\u00e8re de&nbsp;<em>#MeToo<\/em><\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Boivin, Karol\u2019Ann<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.com\/fr\/section\/quand-le-stereotype\">Quand le st\u00e9r\u00e9otype s\u2019immisce dans le discours<\/a><\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5700\" data-type=\"post\" data-id=\"5700\">De vrai en moins vrai : la parole proverbiale et le grotesque de la v\u00e9rit\u00e9 dans le&nbsp;<em>Carrousel encyclop\u00e9dique des grandes v\u00e9rit\u00e9s de la vie moderne&nbsp;<\/em>de Marc-Antoine K. Phaneuf (2020)<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Berger Soucie, Kevin<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5696\" data-type=\"post\" data-id=\"5696\">Portrait de l\u2019Allemand en monstre dans&nbsp;<em>Le Docteur Lerne, sous-dieu<\/em>&nbsp;(1908) de Maurice Renard<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Bauduin, \u00c9milie<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.com\/fr\/section\/travaux-pratiques\">Travaux pratiques &#8211; R\u00e9flexions autour d\u2019un texte th\u00e9orique<\/a><\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5694\" data-type=\"post\" data-id=\"5694\">Dialectique du kitsch. Une lecture de \u00ab Kitsch onirique \u00bb de Walter Benjamin<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Deslauriers, Antoine<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.com\/fr\/section\/hors-dossier-34\">Hors-dossier<\/a><\/h6>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5699\" data-type=\"post\" data-id=\"5699\">Queeriser l\u2019\u00e9criture de soi \u00e0 travers le paratexte. L\u2019exemple d&rsquo;<em>After<\/em>&nbsp;(2018) de Jean-Guy Forget<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">LeBel Dupuis, Marilou<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><a href=\"https:\/\/revuepostures.uqam.ca\/?p=5698\" data-type=\"post\" data-id=\"5698\">\u00c0 travers le regard de l\u2019enfant<\/a><a href=\"https:\/\/revuepostures.uqam.ca\/2024\/06\/13\/a-travers-le-regard-de-lenfant-la-narration-enfantine-comme-lecture-idiote-du-monde\/\" data-type=\"post\" data-id=\"5698\"> : la narration enfantine comme lecture \u00ab idiote \u00bb du monde<\/a><\/h4>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Gingras-Gagn\u00e9, Marion<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">\u00c9quipe<\/h6>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Directeur<\/strong> : Marc-Antoine Blais<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>R\u00e9dactrices en chef<\/strong> : Marion Gingras-Gagn\u00e9, Alexia Giroux<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Comit\u00e9 de r\u00e9daction<\/strong> : \u00c9milie Bauduin, Kevin Berger Soucie, Marc-Antoine Blais, Florence Brassard, Marion Gingras-Gagn\u00e9, Alexia Giroux, Andr\u00e9a Roy-Binette, Rosemarie Savignac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Comit\u00e9 de r\u00e9vision<\/strong> : \u00c9milie Bauduin, Kevin Berger Soucie, Marc-Antoine Blais, Pierre Gabriel Dumoulin, Marion Gingras-Gagn\u00e9, Alexia Giroux, Rosemarie Savignac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Responsable des finances<\/strong> : Kevin Berger Soucie<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Responsable des communications<\/strong> : Rosemarie Savignac<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Illustration<\/strong> : \u00c9lise Warren<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h6 class=\"wp-block-heading\">Pour citer : <\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Blais, Marc-Antoine, Marion&nbsp;Gingras-Gagn\u00e9 et Alexia Giroux (dir.). 2021.&nbsp;<em>Postures<\/em>, Dossier \u00ab Depuis que le monde est monde : st\u00e9r\u00e9otypie et clich\u00e9s litt\u00e9raires \u00bb, no 34, En ligne, <a href=\"https:\/\/revuepostures.uqam.ca\/2021\/09\/07\/depuis-que-le-monde-est-monde-stereotypie-et-cliches-litteraires-automne-2021-numero-34\">https:\/\/revuepostures.uqam.ca\/?p=6903<\/a>&nbsp;(Consult\u00e9 le xx \/ xx \/ xxx).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Automne 2021, Num\u00e9ro 34<\/p>\n","protected":false},"author":4,"featured_media":1025,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[39,161,164],"class_list":["post-6903","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-blais-marc-antoine","tag-gingras-gagne-marion","tag-giroux-alexia"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6903"}],"version-history":[{"count":15,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6903\/revisions"}],"predecessor-version":[{"id":8389,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6903\/revisions\/8389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/1025"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}