Pour son trente-huiti\u00e8me num\u00e9ro, Postures<\/em> invitait les chercheur\u00b7euse\u00b7s \u00e0 \u00e9tudier les fragments, l’\u00e9clatement et le fracas qu’ils provoquent \u00e0 m\u00eame le texte litt\u00e9raire, \u00e0 analyser cette fragmentation qui s’insinue \u00e0 m\u00eame la trame narrative d’une oeuvre, par les silences, les non-dits, le regard et le corps.<\/p>\n\n\n\n Lyraud, Pierre<\/p>\n\n\n\n Berger Soucie, Kevin, Cliche, Vincent, Fiset, Yohann-Micka\u00ebl, Giroux, Alexia, Grenier, Catrina, Hammar, Liza, Lapointe, Marie-Catherine, Wyrzykowski, Miko\u0142aj<\/p>\n\n\n\n Torrents, C\u00e9cile<\/p>\n\n\n\n Picot, L\u00e9a<\/p>\n\n\n\n Henrie, Rachel<\/p>\n\n\n\n Collectif Ob\u00e8le<\/p>\n\n\n\n Dub\u00e9, Marie-\u00c8ve<\/p>\n\n\n\n Queill\u00e9, Alwena<\/p>\n\n\n\n Pelland, Azucena<\/p>\n\n\n\n Yulmuk-Bray, Ketzali<\/p>\n\n\n\n Directeur<\/strong> : Kevin Berger Soucie<\/p>\n\n\n\n R\u00e9dacteur.rices en chef<\/strong> : Catrina Grenier, Miko\u0142aj Wyrzykowski<\/p>\n\n\n\n Comit\u00e9 de r\u00e9daction et de r\u00e9vision<\/strong> : Kevin Berger Soucie, Vincent Cliche, Audrey Grandchamp, Catrina Grenier, Marion Gingras-Gagn\u00e9, Audrey Le Tellier, Edwige Medioni, Morgane Pernet, Romane Rivol, Miko\u0142aj Wyrzykowski<\/p>\n\n\n\n Responsable des finances<\/strong> : Kevin Berger Soucie<\/p>\n\n\n\n Responsable des communications<\/strong> : Vincent Cliche<\/p>\n\n\n\n Illustration<\/strong> : \u00c9lodie Morin<\/p>\n\n\n\n Berger Soucie, Kevin, Catrina Grenier et Miko\u0142aj Wyrzykowski (dir.). 2023. Postures<\/em>, Dossier \u00ab Bribes : la litt\u00e9rature en fragments \u00bb, no 38, En ligne <https:\/\/revuepostures.uqam.ca\/?p=6908> (Consult\u00e9 le xx \/ xx \/ xxxx).<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Automne 2023, num\u00e9ro 38<\/p>\n","protected":false},"author":4,"featured_media":1014,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1130],"tags":[30,168,367],"class_list":["post-6908","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-numero","tag-berger-soucie-kevin","tag-grenier-catrina","tag-wyrzykowski-mikolaj"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6908"}],"version-history":[{"count":10,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6908\/revisions"}],"predecessor-version":[{"id":8861,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/6908\/revisions\/8861"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/1014"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\n\n\nPr\u00e9face<\/h6>\n\n\n\n
\u00ab Fraguemants \u00bb<\/a><\/h4>\n\n\n\n
\n\n\n\nAvant-propos<\/h6>\n\n\n\n
Bribes : la litt\u00e9rature en fragments<\/a><\/h4>\n\n\n\n
\n\n\n\nFragments d’exp\u00e9rience<\/h6>\n\n\n\n
La fragmentation dans Diario de una princesa montonera <\/em>(2016) de Mariana Eva P\u00e9rez : de la brisure au collage<\/a><\/h4>\n\n\n\n
Le corps \u00e0 corps de la danseuse avec les mots. Grand \u00e9cart sur la danseuse de papier, la fin du XIXe, le d\u00e9but du XXe<\/a><\/h4>\n\n\n\n
Un interm\u00e9diaire : le fragment dans la pratique po\u00e9tique et essayistique de Louise Warren<\/a><\/h4>\n\n\n\n
\u00ab Monstres et po\u00e9sies \u00bb. Habiter le monde par fragments exp\u00e9rientiels<\/a><\/h4>\n\n\n\n
\n\n\n\nFragments d’identit\u00e9<\/a><\/h6>\n\n\n\n
\u00ab\u2009Ce n\u2019est pas moi qui ai pens\u00e9 \u00e7a\u2009\u00bb : d\u00e9lire infantile et po\u00e9tique de la s\u00e9paration dans Enfance <\/em>de Nathalie Sarraute<\/a><\/h4>\n\n\n\n
\u00ab How did you become this way? <\/em>\u00bb : \u00e9criture fragmentaire de la d\u00e9-rive, l\u2019exemple de McGlue <\/em>d\u2019Ottessa Moshfegh<\/a><\/h4>\n\n\n\n
Sur les traces de la femme-spectre<\/a><\/h4>\n\n\n\n
\n\n\n\nHors-dossier<\/a><\/h6>\n\n\n\n
Une herm\u00e9neutique du d\u00e9sert : m\u00e9moire, d\u00e9s\u00e9miotisation et animisme dans D\u00e9sertiques <\/em>(2022) de Beno\u00eet Meunier<\/a><\/h4>\n\n\n\n
\n\n\n\n\u00c9quipe<\/h6>\n\n\n\n
\n\n\n\nPour citer :<\/h6>\n\n\n\n