Pour la vingt-neuvi\u00e8me \u00e9dition du CIEL, le D\u00e9partement d\u2019\u00e9tudes litt\u00e9raires de l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, de concert avec le D\u00e9partement de langue et litt\u00e9rature fran\u00e7aises de l\u2019Universit\u00e9 McGill et le D\u00e9partement des litt\u00e9ratures de langue fran\u00e7aise de l\u2019Universit\u00e9 de Montr\u00e9al invitaient les \u00e9tudiant\u00b7e\u00b7s \u00e0 la ma\u00eetrise et au doctorat en \u00e9tudes litt\u00e9raires \u00e0 partager les fruits de leurs projets de recherche ou de recherche-cr\u00e9ation. Le colloque a eu lieu le 2 mai 2025 \u00e0 l’UQAM.<\/p>\n\n\n\n
Nous tenons \u00e0 souligner la participation de Camilia G\u00e9linas, doctorante au d\u00e9partement des litt\u00e9ratures de langue fran\u00e7aise \u00e0 l’universit\u00e9 McGill, avec sa communication intitul\u00e9e \u00ab Blandin de Cornouaille, une checklist romance<\/em>? Nouvelles r\u00e9flexions sur un roman parodique du XIVe<\/sup> si\u00e8cle \u00bb.<\/p>\n\n\n\n Berger Soucie, Kevin<\/p>\n\n\n\n Dakka, Elena<\/p>\n\n\n\n Chiasson, Luc-Antoine<\/p>\n\n\n\n Henrie-Gouin, Rachel<\/p>\n\n\n\n Deguire, Camille<\/p>\n\n\n\n Archambault, Sophie<\/p>\n\n\n\n C\u00f4t\u00e9-Perras, Alexandre<\/p>\n\n\n\n Hamel, Olivier<\/p>\n\n\n\n Priscillia Mateus <\/p>\n","protected":false},"excerpt":{"rendered":" Hors dossier 1<\/p>\n","protected":false},"author":10,"featured_media":9759,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1446,1130],"tags":[7,30,1448,1449,1450,1451,1447,1473,1475],"class_list":["post-9758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actes-du-colloque-ciel-2025","category-numero","tag-archambault-sophie","tag-berger-soucie-kevin","tag-chiasson-luc-antoine","tag-perras-alexandre","tag-dakka-elena","tag-deguire-camille","tag-hamel-olivier","tag-henrie-gouin-rachel","tag-mateus-priscillia"],"_links":{"self":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/9758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9758"}],"version-history":[{"count":11,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/9758\/revisions"}],"predecessor-version":[{"id":10057,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/posts\/9758\/revisions\/10057"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=\/wp\/v2\/media\/9759"}],"wp:attachment":[{"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuepostures.uqam.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\n\n\n\u00catre victime de sa construction d’auteur : le cas Dufresny<\/a><\/h4>\n\n\n\n
\n\n\n\ncorps agentifs<\/h6>\n\n\n\n
Tendre la main: penser et \u00e9crire l’amiti\u00e9 f\u00e9minine en litt\u00e9rature<\/a><\/h4>\n\n\n\n
\n\n\n\nLe vivant est fond\u00e9 sur des partitions : langage et dissidences somatiques dans Les furtifs<\/em> d’Alain Damasio<\/a><\/h4>\n\n\n\n
\n\n\n\ndans l’ombre du p\u00e8re<\/h6>\n\n\n\n
Voir les choses pour une derni\u00e8re fois: les polaroids tarkovskiens, les images affectives et la mortalit\u00e9 dans la r\u00e9alisation d’une fiction po\u00e9tique<\/a><\/h4>\n\n\n\n
\n\n\n\n\u00ab une mort qui ne devrait pas trop se voir \u00bb : ce que permet l’enqu\u00eate emp\u00each\u00e9e dans Le drap blanc<\/em> de C\u00e9line Huyghebaert et L’\u00e9t\u00e9 au parc Belmont<\/em> de Thara Charland<\/a><\/h4>\n\n\n\n
\n\n\n\nfigurations \u00e9cocritiques<\/h6>\n\n\n\n
Repr\u00e9sentations du v\u00e9g\u00e9tal en milieu urbain dans l’album jeunesse contemporain : l’\u00e9mergence de nouvelles relations entre enfants et plantes dans le Dernier arbre<\/em> d’Ingrid Chabbert et Raul Nieto Guridi ainsi que du Petit jardinier extraordinaire<\/em> de Sam Boughton<\/a><\/h4>\n\n\n\n
\n\n\n\nUn imaginaire \u00e9cologique de la peur<\/a><\/h4>\n\n\n\n
\n\n\n\nPeut-on sortir la fuite de sa passivit\u00e9? \u00c9tudes de cas des r\u00e9cits de fuite vers le Nord<\/a><\/h4>\n\n\n\n
\n\n\n\n\u00e9quipe<\/h6>\n\n\n\n